Monthly Archives: December 2018

Hickman’s War

One of Lucy Ligon's Civil War correspondents

One of Lucy Ligon’s Civil War correspondents

If we have to die had we not better die together?”  That was the question members of the Parker family of Hickman, Kentucky asked each other in spring 1861.  Lucy Robbins, the recently widowed daughter of Josiah and Lucy Parker, was staying with her brother-in-law near Memphis, Tennessee, but her parents were desperate to have her and their young grandson come home.  Letters to Lucy, part of the Manuscripts & Folklife Archives of WKU’s Department of Library Special Collections, provide a vivid picture of lives upended by the Civil War.

At the outbreak of war, the Mississippi River town of Hickman was still recovering from a fire so destructive that it was seen from Cairo, Illinois, some 40 miles away.  But now Cairo itself posed the threat, with rumors of soldiers massing there to mount an invasion from the North.  Lucy’s father had heard of still more troops gathering at New Madrid, Missouri.  Caught between these two armies, Josiah Parker feared that Kentucky “will again become the dark and bloody ground.”  Lucy’s mother wrote of the anguish of Hickman’s women: watching in fear as their husbands and sons chose sides and enlisted, many had packed up their households and were ready to “go to woods” if the enemy should appear.  “O what shall we do pray to god for our country,” she cried.

Each successive letter from home told Lucy of the war’s shadow over her family.  Her father, a local judge, lost his livelihood when the legislature temporarily suspended the courts.  Her brother Matthew joined the Union Army (and would die in service), even as some of his neighbors cast their lot with the Confederates.  Nevertheless, some of the town’s young women, including Lucy’s sister Lockey, refused to take a furlough from the marriage market and continued to preen in new dresses and bonnets whenever they could get them from places like St. Louis.  Lucy herself returned to Hickman in 1863, where she contemplated remarrying.  When she asked her dead husband’s brother for advice, he was clear: NO secessionists.  Having been financially generous with Lucy as long as she was widowed, Curtis Robbins declared that his continued support would be jeopardized if she allowed a Rebel to raise his brother’s child.

Lucy, however, didn’t listen.  Not only was he a Rebel, but her new husband, George J. Ligon, served under Confederate General Nathan Bedford Forrest and was severely wounded at Harrisburg, Mississippi.  If this condemned Lucy in the eyes of her brother-in-law, another young man who had worked for him and who remained Lucy’s friend was more forgiving.  Writing to her in 1864 during his Union Army service, he expressed regret that Lucy’s husband had been “crippled”; “I guess he is in the Southern army”—but, he shrugged, “you know it is all the same to me.”

A finding aid for family letters to Lucy (Parker) Ligon can be accessed here.  For more Civil War collections, search TopSCHOLAR and KenCat.

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Measure Twice, Cut Once: Quilting, Community, and Tradition

On the backside of a quilt, a panel reads

I have named this quilt “My Dear Jane” which is a reproduction of Jane A. Steckle’s quilt she made during the Civil War titled “In War Time 1863”. I, Donna Patterson, began this quilt journey on April 5, 2010, 4 years, 3 months, and 15 days later on July 30, 2014, this quilt was completed.

Hand quilted by Irene Harper, my 87 year old mother, and Donna Patterson.

5,600 plus pieces

225 patterns

281 fabrics

169 pieced blocks

52 pieces triangles

56 solid triangles

4 corner blocks

Countless yards of thread

When viewed from the front, the quilt is a quick kick of color. Deep reds, pale yellows, oranges, greens, purples, and pinks all demand the eye’s unfocused attention. The patterns, too, reject uniformity. Sharp, jagged angles push up against soft, rounded edges, an arrangement of thoughtful geometric design. Regarded individually, each panel suggests the quilters’ keen awareness of ordering, movement, and composition. As a whole, the quilt is representative of timeworn quilting traditions that place a high value on community, craftsmanship, and creativity.

Donna Patterson's finished "My Dear Jane" quilt

Donna Patterson’s finished “My Dear Jane” quilt

Over the course of 2017 and 2018, Sandy Staebell, Kentucky Museum’s Registrar and Collections Curator, conducted fieldwork with more than 30 quilters throughout the region. Her findings were eventually turned into a presentation for the Osby Lee Hire and Lillian K. Garrison Hire Memorial Lecture Series, a program which seeks to provide a deeper understanding of the history and culture of Allen County and Monroe County in Kentucky and Macon County in Tennessee. Staebell’s presentation, which was titled “Heritage, Tradition, & Craft,” focused on the aesthetics, processes, and finished pieces of both individual quilters and larger communal groups, such as the Buck Creek Homemakers (Allen County) and the Monroe County Piecemakers.

As a widely recognizable form of folk art, quilting highlights both the conservative and dynamic nature of folklife. While the women Staebell interviewed work within a particular artistic framework, one that underscores the nuanced relationships between color, shape, and style, they also move beyond traditional forms of quilting to create pieces that reflect their own personal experiences, preferences, and tastes. In folk studies, the study of material culture has shifted from an emphasis on product to the more contextually-relevant emphasis on process. While the final quilt is no doubt a visually and emotionally-stimulating piece of artwork, it should also be understood as a manifestation of the work required to maintain strong bonds between family and friends.

The collection (FA 1131) is located within WKU’s Manuscripts and Folklife Archives and includes hundreds of color photographs of quilters proudly displaying their quilts as well as digitally recorded audio interviews where women discuss their sources of inspiration, their most treasured pieces, and their connections to the quilting community.

For more information on quilts and other forms of expressive material culture visit TopSCHOLAR or browse through KenCat, a searchable database featuring manuscripts, photographs, and other non-book objects housed in the Department of Library Special Collections!

Post written by WKU Folk Studies graduate student Delainey Bowers

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